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Picoplanktonics

Canada Pavilion

19th International Architecture Exhibition La Biennale di Venezia 10 May to 23 November 2025

Picoplanktonics

On the occasion of Canada’s participation in the 19th International Architecture Exhibition – La Biennale di Venezia, the Canada Council for the Arts presents Picoplanktonics by the Living Room Collective at the Canada Pavilion.

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it?

Picoplanktonics proposes that we can, by leveraging both ancient biological processes and emergent technologies into a vision of how we might design our environments under an ecology-first ethos. Over 2.4 billion years ago marine cyanobacteria (picoplankton), one of Earth’s earliest life forms, were responsible for decreasing carbon dioxide levels in the atmosphere and creating the oxygen rich environment that sustains life on our planet. Today Andrea Shin Ling’s research at ETH Zurich has brought together collaborators in material science, biology, robotics, and computational design to pair these organisms with technological innovation, creating a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale.

Picoplanktonics centres on a series of large-scale robotically printed structures, the largest living material prototypes made with this platform to date. They contain live Synechococcus PCC 7002, a species of picoplankton, that slowly strengthen the structures by consuming, and storing, atmospheric carbon dioxide, producing oxygen and minerals in the process. Originally fabricated in a laboratory, now residing in an adapted Canada Pavilion which provides the light, moisture, and warmth needed for their growth, the cyanobacteria continue the human-initiated process of construction.

As global carbon emissions continue to rise to untenable levels, Picoplanktonics is an ongoing experiment that proposes a reciprocal relationship between living structure, built environment, and humans, rethinking how we can construct in ways that prioritize ecological resilience rooted in stewardship and care.

Picoplanktonics at the Canada Pavilion will open to the public for the duration of the 19th International Architecture Exhibition – La Biennale di Venezia, from May 10 to November 26, 2025.

Photos: Valentina Mori
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Media relations

Vincent Despins - TACT
vdespins@tactconseil.ca
418-655-2424
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Living structures

The printed structures within Picoplanktonics represent four years of interdisciplinary research conducted by Canadian architect and bio-designer Andrea Shin Ling and her collaborators in material science, biology, robotics, and computational design at ETH Zurich. Their research focuses on harnessing the design principles of living systems as the basis for sustainable, intelligent, and resilient materials and technologies for the future, resulting in the development of a first-of-its-kind robotic 3D printing process that infuses a sedimentary scaffold with bacteria to make living structures that realize a biological function.

In Picoplanktonics, Synechococcus PCC7002 a marine cyanobacteria capable of bio-mineralization, was embedded into structures during the print process and will over the course of the exhibition sequester atmospheric carbon dioxide in the form of both minerals and living biomass.

Initially, the biofabrication platform was only capable of producing structures that were in the mm to cm scale Much of the research in the past few years has focused on upscaling the process to be able to create living structures at architectural scale. The result is a 3.3m tall photosynthetic living structure that at optimal health could sequester up to 18kg of CO2 a year, similar to a 20 year old pine tree in a temperate environment.

Between January and April 2025, over 100 bioprints were fabricated across the ETH Zurich facilities including the ALIVE | Advanced Engineering with Living Materials lab and the Robotic Fabrication Lab at the Institute of Technology and Architecture. The prints were then extracted and incubated for several weeks before transport to Venice where they were assembled into the final structures.

Video 1, 3, 4, 5, 7, 8, 9, 10, 11, 12: Girts Apskalns Video 6: Andrea Shin Ling
Stewardship
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Design for partnership with life forms like Synechococcus PCC 7002 demonstrates one approach towards planetary remediation as global carbon emissions continue to rise past sustainable levels. This mode of production demands a shift in design practice, to value working in symbiosis with the underlying logic of natural systems rather than building over them.

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In Picoplanktonics large-scale living bioprints originally fabricated in a laboratory have been relocated to the Canada Pavilion, which has been adapted to host them, to provide the light, moisture and warmth that they need to grow and thrive. In return for its care, the Synechococcus PCC 7002 continues the human-initiated process of construction, capturing carbon and strengthening the sedimentary structure it inhabits.

As the exhibition is an ongoing experiment, the Living Room Collective is working closely with onsite caretakers who are tending to the structures. This includes maintaining adequate humidity and salt levels through daily spraying with customized media solutions, and measuring the salt content and pH levels of the pool to maintain its optimal conditions. Environmental conditions are monitored with the live dashboard (above) in order to help the bacteria thrive.

Living structures demand ongoing, attentive interaction with the ecosystems they inhabit, requiring design strategies that nurture, rather than resist, environmental exchange. This maintenance and stewardship foster an evolving intimacy with the space, cultivating a deep connection that blurs the line between inhabitant and habitat. This type of care prioritizes ecological resilience in its reciprocal relationship between living structure, built environment, and humans.

Photo 1: Nijat Mahamaliyev
Team

The Living Room Collective is a group of architects, scientists, artists and educators who work at the intersection of architecture, biology and digital fabrication technologies—led by Canadian architect and biodesigner Andrea Shin Ling. Alongside core team members Nicholas Hoban, Vincent Hui and Clayton Lee, the collective seeks to move society away from exploitative systems of production to regenerative ones by inventing design methods and processes that center on natural systems. They see the Biennale Architettura 2025 as a platform to generate national and international conversations that ask: How does one fabricate a biological architecture? What are the conditions of stewardship? What are the strategies to instigate this at scale, regionally and globally?

Video: Girts Apskalns

Commissioner

LIVING ROOM COLLECTIVE

Andrea Shin Ling
Vincent Hui
Nicholas Hoban
Clayton Lee

Research and Development

ETH Zurich — Andrea Shin Ling, Yo-Cheng Jerry Lee, Nijat Mahamaliyev, Hamid Peiro, Dalia Dranseike, Yifan Cui, Pok Yin Victor Leung, Barrak Darweesh

Production

ETH Zurich — Huang Su, Wenqian Yang, Che-Wei Lin, Sukhdevsinh Parmar; Tobias Hartmann, Michael Lyrenmann, Luca Petrus, Jonathan Leu, Philippe Fleischmann, Oliver Zgraggen, Paul Fischlin, Mario Helbing, Franklin Füchslin; Hao Wu, Nicola Piccioli-Cappelli, Roberto Innocenti, Sigurd Rinde, Börte Emiroglu, Stéphane Bernhard, Carlo Pasini, Apoorv Singh, Paul Jaeggi; Mario Guala, Isabella Longoni Toronto Metropolitan University — Venessa Chan, Minh Ton, Daniel Wolinski, Marko Jovanovic, Santino D’Angelo Rozas, Rachel Kim, Alexandra Waxman, Richard McCulloch, Stephen Waldman, Tina Smith, Andrea Skyers, Randy Ragan, Emma Grant, Shira Gellman, Mariska Espinet, Suzanne Porter, Stacey Park, Amanda Wood, Lisa Landrum, Dorothy Johns, Cedric Ortiz University of Toronto — Daniel Lewycky, Philipp Cop Additive Tectonics GmbH M+B Studio

VISUALISATION

Adrian Yu. Nazanin Kazemi, Ariel Weiss

STRUCTURAL ADVISORS

Andrea Menardo, Kam-Ming Mark Tam

Graphic Design

Shannon Lin

Website

Sigurd Rinde

Translation

Mishka Lavigne

Copy Editing

Simon Rabyniuk

Lighting Consultation

Frank Donato

Local Project Logistics

Tamara Andruszkiewicz

Project Advisors

ETH Zurich — Benjamin Dillenburger, Mark Tibbitt

Supported by

Additional support by

Advanced Engineering with Living Materials (ALIVE) Initiative, ETH Zurich Additive Tectonics GmbH ABB Switzerland Vestacon Limited NEUF architect(e)s Perkins + Will Moriyama & Teshima Architects Sweeny & Co Architects Inc. MJMA Architecture & Design DIALOG

SPECIAL THANKS TO

Digital Building Technologies Group, Institute of Technology & Architecture, ETH Zurich Macromolecular Engineering Lab, D-MAVT, ETH Zurich Office of the Vice President, Research and Innovation, Toronto Metropolitan University Faculty of Engineering and Architectural Science, Toronto Metropolitan University Financial Services, Toronto Metropolitan University Onsite Pavilion Team Canada Council for the Arts Venice Fellows